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Speaking of the different type of nodes, think about Serial Nodes as stacks of layers used in other grading and compositing applications. Keep in mind that you can also easily swap the position of your existing nodes by simply deleting the lines that connect the nodes to each other. Do your primary adjustments in the first node you create and then add new nodes to the chain for every new small adjustment to the image you make. Just try to stay organised and label all your nodes to make your workflow more straightforward and simple. That being said, here’s another video that covers the different type of nodes in Resolve 12 and explores their uses.Īgain, the main takeaway from the video above is that combining all these different types of nodes is what makes Resolve 12 a truly powerful colour grading application. In other words, by utilising this approach you are segmenting your grade in little pieces that you can turn on and off every time you want to make another change.Īs Casey notes, this approach is super convenient if you change your mind down the line or just want to experiment with things, thus pushing your grade even further. The best part is that you can switch on and off every small change you have already made so that you can decide what are the best creative decisions you can make to get the optimal results. The next time you open your project, it will be a lot easier for you to change only those parts of the image that you don’t like any longer or consider that need to be modified further.
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In the first place, if you want to keep your process neat and clean you need to create a separate node even for the smallest change you make in your image. First and foremost, if you want to work smarter, faster and be a way more efficient and productive when colour grading, this approach is undoubtedly the way to go. In the video ahead Casey Faris explains why by providing a few simple examples that put things into perspective for those who are still not convinced why it’s better to use multiple nodes when colour grading images in Resolve 12. The actual power of the software, however, can be unleashed only when you dip your toes into the multiple nodes workflow. This is where the application simply shines, and for good reason. At the end of the day, there’s nothing wrong with using only one or just a couple of nodes when colour correcting or colour grading your footage in DaVinci Resolve 12.
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